Author Q&A with UK Crime Book Club

I recently took part in an author chat in UK Crime Book Club (on Facebook,) and got asked some brilliant questions. I thought I’d share some of the questions and my answers. I hope you enjoy them.

Would you ever consider one of your books being made into a film?
I think both The Abattoir of Dreams and The Liar’s Promise would make great films, but for very different reasons. One emotional, one scary!

Mark, I totally agree with that but who would you choose for Michael (in The Abattoir of Dreams,) and The tall man (in The Liar’s Promise?)

I haven’t given it much thought but, someone like Christopher Lee for the Tall Man (if he were still alive!) And the young boy who plays Paco in You on Netflix (Luca Padovan,)   would be a great Mikey if he could do an English accent.

      

Which was the last book you read that scared the life out of you?
The Father of Lies trilogy by Sarah England, but especially the third in the trilogy, Magda.

Does your girlfriend ever worry about you, sleep with one eye open?!
She does when I ask her to mimic being strangled! But never mind my girlfriend, I sleep with one eye open!! LOL

Can you tell us something about yourself that would surprise us?
Yes. I once mistook my daughters escaped hamster, that was sat on the arm of a rocking chair, as an orb. Thinking the house was possessed, me and my girlfriend fled downstairs. A sure sign my imagination was doing overtime!

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Book Review – Wrong Place by M. A. Comley

1wrong place

 

DI Sally Parker has a serial killer on her patch. One thing that sets this killer apart from the others she’s hunted before: his willingness to leave DNA at each of the crime scenes. It’s up to Sally and her partner DS Jack Blackman to find out why before the body count rises to double figures.

 

 

 

Extract

Sally Cringed. “Are you Brenda’s sister?”
“Yes, at least I was.” Darla broke down in tears.
Sally and Jack glanced at each other and shook their heads. It was never easy telling a person that a loved one had passed over, let alone been murdered. Sally waited for a few minutes before she placed a hand over the woman’s and asked is she was okay.
“Not really. Would you be? What happened?”
“It’s difficult to tell right now. We were called out to the crime scene, and discovered you sister’s body.”
“In a church?” Darla frowned.
“Actually, she was found outside, in the graveyard.”
“Shit! How did she die?”
Sally swallowed hard. “I’m not going to lie to you. Her naked body was found propped up against a gravestone.”
Darla stared at her open-mouthed for a few seconds, then she found her voice again. “Was she raped?”
Sally nodded. “I’m sorry. There’s no other way to say it. If it’s any consolation, the suspect left valuable DNA at the scene. We’re hopeful that will lead to his capture soon.”
“He did? Then why aren’t you out there, going after him? Sorry, dumb question.”
“Not at all. A logical one under the circumstances. We have to inform the next of kin before we can begin our investigation.”
“I see. Do you have a suspect in mind? Any witnesses?”
Sally shock her head. “Not yet. Can I ask when you last saw your sister?”
“Just before her shift last night. I came home from the office at five thirty. We passed on the stairs, as she had to get to work before her shift started at six.”
“Does your sister have a boyfriend?
“No. she’s not the type to settle down with one person. Umm… that sounded bad, didn’t it?”
“Not at all” Given Sally’s own experiences with men, she totally understood why women wouldn’t want to start a permanent relationship with a man in today’s world. Continue reading

Have Books Lost Something With Their Lack of Description?

There was a time when you couldn’t pick up a book without massive blocks of descriptive prose. It was an art form all of its own.These descriptions were seen to be adding more depth to the story and giving the reader more information about the characters and setting.

Modern writers tend to steer clear of vast expanses of informative, yet mostly unnecessary writing. In fact, authors have gone in the opposite direction, giving only what is needed to leave the reader to imagine the rest. There also tends to be less time given to journeys and the transition of time.The modern method seems to be to get there as quickly as possible and cut out the filler. Again, this works well for me as a writer and a reader Continue reading